Friday, December 12, 2014

Blocking Article. I will be making a video tutorial on this very soon


The Ultimate Blocking Method

There are two goals when sparring, the first is to hit your opponent and the second is not to get hit in return. This is easier said than done. Many martial artists in many countries train their entire lives to become good at achieving these two basic goals. Martial artists around the world for thousands of years have come up with different ways to hit and not get hit, and I cannot say that any way is wrong, but some ways are less efficient than others. In all of my studies I have striven to find the most effective, most efficient techniques to include in my arsenal. What I would like to discuss here is what I call the ultimate blocking method. It is a carefully honed, bare bones blocking system that covers the most ground with the least effort to keep a person from not getting hit.
The ultimate blocking method might be best understood if compared with Roman sword and shield style fighting. In ancient Rome, Centurians carried a shield in their lead hand and a sword in the rear hand. They would intercept or strike their opponent with the shield and when he was off balance they would whip their sword out from behind the shield and hack at their assailant.  In this way their bodies where exposed for the least amount of time while taking advantage of any openings that their efforts created in their opponents defenses. 
To a modern hand to hand martial artist our lead hand is our shield and our reverse is our sword. A Centurion trained hard to have the strength to hold up their shield so that it would never drop in battle, so too must a martial artist keep his lead hand up at all times. It is a common mistake to drop the lead hand when kicking, punching, or even stepping, but this is foolish as it exposes our bodies while gaining no advantage. It costs little but training to keep the lead hand up and remain shielded from attack. 
The lead hand must cover the most area possible in order to be effective. As the human torso is longer than it is wide the forearm should remain perpendicular to the ground or parallel to the body. The knuckles should always point to the sky, and the elbow should always point to the ground. If this position is maintained at all times, then your blocking tool will never be far from any viable target. 
In order to make this block as effective as possible it is important to give the lead arm as little area to cover as possible. For this reason it is best if the defender stands sideways, presenting only a small portion of his body to the opponent. If you are sideways and your lead arm is up in the shield position described above then it will be no more than 4 inches from any target the opponent may attack. 
With 4 simple movements of the lead arm the entire upper body is defended. If the arm is moved from the shoulder and hips inwards to the belly button without changing the forearm's orientation then the front is covered. If the arm is moved to the back no further than the shoulder the side and back are covered. If the fist is raised no higher than the eyebrows then the head is covered. If the elbow is dropped (but not the fist) as low as it can go, then the ribs and stomach are covered. 
Why is it so important to move such small distances when blocking? The answer is that action is faster than reaction, and most blocking is a reaction to an attack. In order for the reaction to reach a vulnerable point before the action the reaction must have less distance to travel. I like to demonstrate this point to my students with a game. The defender places their hands palm to palm in front of them. The attacker places his hands, palm to palm on either side of the defenders hands. When the game begins the attacker attempts to slap the defender in the face. The defender tries to lift their same side hand to stop the slap. They can seldom if ever stop the hand from slapping their face. Action is faster than reaction. 
Here is an example of what happens in the body during the game. The attacker decides to slap the defender with his left hand. The brain sends the message to the hand which then begins to move. The hand travels 10 or 12 inches before the defenders brain registers the movement. It travels 5 more inches before the defender identifies the side attacking and makes the decision to move his left hand. The attacking hand moves another 5 inches as the message is sent to the defending hand to begin moving. By this time the face slap is all but inevitable. The only way for the defender to win this game is by having his hands closer to his face than the attackers hands. 
Why do I practice big chambers and large powerful blocks in my martial arts class if I am just going to do this small blocking maneuver and block everything? The answer is that the large blocks, the gross blocks teach you how to move your body and arm in concert. It is the same motion, but only made larger to help you learn the important hip and shoulder rotations that make all blocks even these small ones work. 
Why do I see a lot of fighters at tournaments move their hands all over the place, changing position ever few seconds? There are currently several generations of fighters who are influenced by the showboating of very very gifted and cocky martial artists who are so fast and so good at reading telegraphs that they can get away with bad techniques that look cool. Bruce Lee is a very good example of this sort of fighter. He was so gifted a fighter that could stand full facing and have his hands behind his back and still block almost everything thrown at him by most opponents. This worked for him, but most of us are not yet as good as Bruce Lee, so it is not a good idea to imitate his showboating, but instead pay attention to his technique when he fought seriously and kept his hands up. 
When I was coming up through the ranks my instructors would sometimes put on pads and spar with us. I remember very clearly one such match. My teacher would stand there with his hands on his knees, crouch down and stick out his chin. When I would throw a technique at said chin he would spin around backwards and back fist me in the head every time. He could get away with doing this because he was so much older, more experienced and better than me. A fighter who is not so unevenly matched or so ridiculously good should not showboat, but use the best, most efficient blocking system that he can learn. 
How can I practice this Ultimate Blocking Method? To start with practice performing the movements with force. Move your arm in, then out, then down, then up. When you get good at this and your movements are smooth have a friend come and try to hit you with a foam covered bat. First have them strike your front, then back, then lower torso then down onto your head in that order. When you get good at that have them hit you anywhere they want while you stay relaxed and try to move as little as possible while blocking all of the strikes. Then when you are good at that have your partner throw kicks and punches at you while you practice just blocking. 
This blocking method is very effective but there are many other skills that are important to learn in order to not get hit. It is important to know how to look at your opponent, how to read his telegraphs, how to jam a technique, how to evade, climb, parry, and dodge an attack. The most important thing to remember when training is to understand what you are doing and why, in this way you can avoid techniques that do not work or are based on faulty logic and get the most out of viable, logical, powerful techniques. 

RULES 1 AND 2 IN SPARRING: STAY SIDEWAYS AND KEEP YOUR HANDS UP. 







   

Crazy High Kicks video

A bunch of clips of me kicking cups off of bob's head, and doing split kicks on the wave masters... Pretty much just me kicking and having fun.

Programming Your Opponent. An article I wrote for Black Belt Magazine


Guaranteed Victory
The Smartest Way to Win in Sparring Is to Program Your Opponent to
Lose!
by Simon Scher
Youʼre standing in the ring facing your opponent. Youʼre waiting for an opening,
asking yourself, “Whatʼs he going to do next?”
You try to guess what it will be. A bead of sweat trickles down your forehead as
you think, I wish I could make him throw a round kick—then Iʼd know the perfect
move to defeat him.
Suddenly, he acts. Itʼs not the round kick you wanted but a series of fast
punches. You manage to block them, but he surprises you by following up with a
jump spinning kick that knocks you out of the ring. Game over!
The Concept
What martial artist hasnʼt had an encounter like this? What fighter wouldnʼt want
to be able to control what his opponent does next? Controlling another person may
seem like itʼs straight out of Star Wars—“These are not the droids youʼre looking
for.”—but itʼs entirely possible. It doesnʼt involve the Force or even chi energy. It
does, however, involve a learning curve.
To control what your opponent does in the ring, you must condition him to act
and react on cue. The best way to think of it is to imagine heʼs a computer. To make
a computer act the way you want it to, you must program it. Your tool is a
programming language. Master it, and youʼll be able to make the machine do
anything you want.
The tools you use to program a human being are deception, desire, fear, pain
and frustration. Believe it or not, theyʼll enable you to set up a mental and emotional
reaction that will open the door to your follow-up. In other words, by merely twitching
your foot or flexing your hand, youʼll be able to elicit a specific kick, a lowered guard
or even a hasty retreat.
The Method
How do you get started on the path of programming? For the answer, you need
only look to a scientist named Ivan Pavlov. Synopsis: He ran a series of experiments
with his dog. Every day, heʼd ring a bell before feeding it. The dog grew to equate
the sound of the bell with food. Eventually, Pavlov could ring the bell, and the dog
would salivate even before the treat was presented.
If youʼre a fan of NBCʼs The Office, you probably watched Jim perform a similar
experiment on his co-worker Dwight. Every time his computer turned on and chimed,
heʼd offer Dwight a mint. Eventually, whenever Jimʼs computer turned on, Dwight—
without any conscious thought—would hold out his hand for a mint. When Jim asked
him what he wanted, Dwight commented that he didnʼt know but his mouth felt dirty.
(I know, itʼs a sitcom, but for the most part, itʼs based on Pavlovʼs work.)
The Procedure
You can use the same concept to influence your sparring opponent—not with a
bell and a treat but with a slight movement and the expected avoidance of pain.
Example: Every time your foe tries to switch his stance from left lead to right lead (or
vice versa), yell as you move forward and strike. Heʼll be startled. After a few
iterations, heʼll start to subconsciously equate switching stances with being startled
and will no longer switch stances. Ergo, you now control whether he stands with his
left side forward or his right side.
Want to really confuse him? Shout from time to time as you go on the offensive.
Now the noise you make will become inextricably linked in his mind with being
attacked, which will cause him to prepare his defenses. All you need to do now is
yell and wait for him to react. Once heʼs in that confused state, attack with a different
technique.
The Routine
Hereʼs another tactic for the ring: Say you want your opponent to lower his guard
on command. You simply strike at his arms when theyʼre in the guard position and
show your teeth. At regular intervals, repeat the sequence, inflicting pain just before
you bare your fangs. Heʼll eventually equate your teeth with arm pain—which means
youʼll be able to pull your lips back and show a little white, then watch his guard fall.
Thatʼs your cue to attack—hopefully without interference from his limbs.
There are many other ways to use the Pavlovian method to control your
opponent. All you need to do to succeed is tailor your programming to mesh with
your preferred fighting style. However, keep in mind that he already has his own
programming in place—specifically, the habits and reactions that have been drilled
into him during years of training.
The Corollary
Another way to take advantage of the Pavlovian response is to capitalize on the
programming your opponent inadvertently gets from his martial arts training—
specifically, while reacting to exercises, drills and forms at his school. Example: If
you want him to throw a round kick, you can make him want to throw a round kick.
Just create the illusion that a target exists at the right distance and orientation, and
chances are heʼll throw that round kick, either consciously or subconsciously.
If you know the combinations heʼs drilled the most, you can make him perform
more easily. For example, if students at his dojo are taught to react to a turning
round kick by performing a jump spinning kick, just execute that round kick and then
wait for the jump spinning kick to come. If you know itʼs coming, you can easily jam
it, evade it or counter it.
The Overview
Like many other facets of life, the martial arts are all about control—control of
yourself, control of your emotions and control of other people. Once youʼve
sufficiently developed your knowledge and skills, youʼll find there are very few things
in this world that cannot be controlled. Itʼs this control that separates the master from
the beginner.
About the author: Simon Scher holds a fifth-degree black belt in taekwondo and
has trained extensively in aikido, tai chi, capoeira, jiu-jitsu, karate, kali, kyudo and
sado. His book, The Martial Arts Manual, is based on his longtime project of creating
a line-by-line commentary on Sun Tzuʼs The Art of War. For more information, visit
themartialartsmanual.com.

Round Kick tutorial

Check out my new Round Kick tutorial!

Side Kick tutorial

Check out my Side Kick tutorial

Lots of detailed instruction and demonstration. How to throw a technically perfect and powerful Side Kick

Upcoming tutorials

Hi guys. Just wanted to give you all a heads up on my upcoming tutorials on YouTube. I have finished and published the Side Kick and Round Kick tutorials. As we speak I am cutting together the footage for my Stretching and Extreme Splits tutorials. After that will come my Hook Kick tutorial. And then, well lets just say I have a lot of ideas I'm excited about!